Jennifer Steinkamp, Blind Eye 3, 2019, video installation, dimensions variable

Cindy Sherman, Untitled, Bus Riders Series, 1976, gelatin silver prints, each 7 3/16 × 5 in.

Isamu Noguchi, Judith, 1978, bronze, 100 x 34 x 20 in.

Olafur Eliasson, The Hut Series, 2012, 56 c-prints, each 10 3/8 x 15 1/2 inches; overall 89 1/4 x 140 5/8 inches

William Eggleston, Untitled (Blue Car on Suburban Street), Memphis, TN, 1970, dye-transfer print, 16 × 20 in.

Mark Manders, Unfired Clay Torso, 2015, painted bronze, iron, and wood, 97 ½ × 60 × 60 in.

Gilles Barbier, L’Hospice, 2002, six wax figures, television, and mixed media, dimensions variable

Lawrence Carroll, The Cloud, 2013, oil, wax, house paint, electrical wires, light sockets, and light bulbs, 92 x 69 x 8 in.

Tony Oursler, Coo, 2003, fiberglass sculpture, Sony VPL CS5 projector, DVD, DVD player, video (color, sound), 43 × 35 × 20 in., 8:41 min.

Installation view: Lawrence Carroll, Ernesto Neto

Anselm Kiefer, Maria im Rosen Haag (Mary in the Rose Garden), 2005, acrylic, oil, dried branches on cardboard and wood in a steel frame, 75 1/8 x 51 3/8 in.

Frank Stella, Brazilian Merganser, 1977-80, mixed media, 120 x 96 in. 

Kishio Suga, installation view.

Magdalena Abakanowicz, Hurma, 1994–98, burlap with resin, 250 figures, dimensions variable

Jackie Nickerson, Sister Raphael, 2005, digital C-print, 29 × 24 in.

Pedro Cabrita Reis, Medusa, 2018, acrylic and oil on two found chairs, wire, rope, 124 x 39 x 39 in.

Kenneth Snelson, Newport, 1968, aluminum with stainless steel cables, 140 × 120 × 120 in.

Joel Sternfeld, Looking South on a May Evening (the Starrett-Lehigh Building), May 2000, 2000, digital C-print, 39 1/2 × 50 in.

Nancy Rubins, Drawings & Hot Water Heaters, 1991–95, hot-water heaters, black tie-wire cable, and graphite pencil on paper, approx. 216 × 132 × 120 in.

Paolo Ventura, Automaton #15, 2010, digital C-print, 50 × 40 in.

Wilhelm Mundt, Trashstone 412, 2008, production waste in fiberglass, 68 × 71 × 126 in.

Pieter Hugo, Abdullahi Mohammed with Mainasara, Ogere-Remo, Nigeria from 'Gadawan Kura' - The Hyena Men II, 2007, c-print, 39 x 39 in.

Eric Bainbridge, Occurrence on an Endless Column, 1987, mixed fur fabric, plaster, timber, and steel, 111 × 89 × 55 in.

Maurizio Pellegrin, Cio che resta, quello che se ne va (What Is Left, and What Goes Away), 1989, twenty-six media elements, 98 3/8 × 131 3/4 in.

Jeff Brouws, Al Joseph, Relief Worker, Lower Ninth Ward, New Orleans, 2006, archival pigment print, 24 × 20 in.

Florian Baudrexel, Ronic, 2016, cardboard on wooden frame, 73 × 126 × 35 in.

Danny Lyon, Conversations with the Dead, 1983, gelatin silver print, 11 × 14 in. 

Peter Buggenhout, On Hold #3, 2015, mixed media (aluminum, wood, etalon, plastic, iron, textile, and polyurethane foam), 115 3/8 × 135 3/4 × 90 1/2 in

Radcliffe Bailey, If Bells Could Talk, 2015, wood, trumpets, and trombones, 116 ½ × 56 × 57 in.

Nathalie Djurberg and Hans Berg, Puppets from the Parade of Rituals and Stereotypes 2, 2012, mixed media, 61 × 17 ¾ × 90 ½ in.

Kota Ezawa, The Simpson Verdict, 2002, video (color, sound), 3 min.

Donna Dennis, Subway with Silver Girders, 1981–82, wood, metal, electric lights, and mixed media, 144 1/2 × 144 1/2 × 159 in.

Leandro Erlich, Elevator Pitch, 2011, stainless steel, automatic door operator, sliding doors, button panel, screen, Mac Mini computer, and rear-screen video projection (color, sound), 5 min.

Justine Kurland, Raft Expedition, 2001, satin-finish UV-laminated C-print mounted on 1/8 in. Sintra and painted wood frame, 30 × 40 in.

William Eggleston, Untitled, (Car and Bicycles in Garage) Memphis, TN, 1970, dye-transfer print, 16 × 20 in.

Chema Madoz, untitled, 1990, analog photograph on fiber paper with sulfide bath, 19 3/5 × 15 3/4 in.